Wildwood is inspired by long walks through the forest, searching the forest floor for rare flowers and interesting leaves and forms and revelling in how timeless it feels. One of the themes that inspires me throughout my work is that of the fairytale — the fields and forests of a British landscape, the places that wild-at-heart maidens run away to when they’re going to be married off to someone they don’t love, the sound of fallen leaves crunching as a horse gallops through. A ‘wild at heart’ spirit. A sense of romance. The wild forest. ‘Wildwood’ speaks  to these foresty areas and their uncultivated nature ~Elizabeth Olwen

Above was the description we received when we took on this Warp & Weft Challenge. British? Romance? Fairy tales? Perfect! I love anything British, especially anything from the BBC, hence recently watching “Call the Midwife“. The more I looked at Elizabeth Olwen’s Wildwood fabric I felt like it came from the same period as the show. The WW2 era I think we all have romanticize about at one time or another. In the show I loved seeing them handwriting letters, licking stamps and sending them off hopefully to arrive in time. You might already know but I have a thing for envelopes and stationary. When working on this project I cracked open my record player, broke out my Grandfather’s albums from the post WW2 era and scattered my vintage button collection about.

I thought about the story of Little Red Riding Hood – which I think the Wildwood in Crimson just screams. PS. The blue fabric is called Deco Petal Navy. I thought about Little Red Riding Hood travelling to visit her grandmother. Which led me to thinking about when I was a kid visiting my grandparents. Both sets lived about an hour from us. We’d ritually fill up at the gas station, dad would buy us each a bag of Old Dutch potato chips and a Pepsi. It was very comforting. Maybe not the healthiest but to this day I just love eating in cars, a habit I’ve had a difficult time breaking. I’ve always loved a good road trip (the right soundtrack is key) and I’ve always brought a project with me to work on, whether we’re driving or we’re flying.

So, for this challenge I wanted to make something that would be the ultimate travel sewing kit. Something to keep me organized, something to hold on my lap and something that’s better than throwing everything into a large pouch, which usually results in getting all my threads tangled, my scissors lost in my seat and having to reach around on the floor (ew!) looking for buttons I’ve dropped.

This is what I’ve come up with. I call it, “ To Grandmother’s House We Go!”

Inspired from some vintage buttons my friend Trudy gave me for my birthday last year, I attached two buttons with elastic to clasp the sewing kit together. That way the kit has plenty of room to grow!

The top flap opens and doubles for a thread catcher.

I always find I never have anywhere to put my teeny bits of thread. I either have to put them in to my pouch, then they mix with all my other supplies or I have to… shhh, don’t tell anyone, drop them on the floor.

The bottom flap I’ve sewn in some of my vintage buttons to hold my thread.

It’ll require some pre-planning and pre-loading of the thread but I think well worth it. I’ve developed a big pet peeve of thread unravelling in my project bags. This will keep everything nice and neat!

The flap on the right holds scissors and a seam ripper (perhaps a point turner depending on the project.)

I can’t even begin to tell you how many times I’ve lost my scissors in my seat while travelling.  So annoying! This little button strap is to prevent that from ever happening again!

And the last flap is a needle book.

A needle book with  three layers of felt.

The travel kit includes two pockets (three if you include the thread catcher) and one zippy pouch.

The Essex linen holds most fabric-y things in place but I thought I might need pouch with a zipper, for those slippery things like buttons or do-dads. (I love the word do-dads!)

… and really, I just wanted an excuse to make a 3 dimensional cassette tape zippy pouch.

I worked in the salvage on the cassette tape. On one side I used Elizabeth Olwen’s signature. On the other side I pieced it to say, “Wildwood”, ” For Cloud 9″. I can’t believe how well it worked out!

And of course, I had to do the bottom true to form.

TA DA! My Warp & Weft Challenge with Elizabeth Olwen’s fabric for Cloud 9!

Be sure to stop by the other blogs from the Sewing Society. Carla’s clutches and Cynthia’s table runner are just the tip of the iceberg. I’ve seen a sneak preview of a few of  the other projects. You’re gonna love them! I know I do. Thanks so much for popping by!

Blog hop schedule:
September 26- Carla from “My 1/2 Dozen Daily”
September 27-Cynthia from “Cynthiaf”
September 28- Me
September 29-Cathy from “Blueberry Patch”
September 30-Esmari from “Warp and Weft”
October 1- Shannon from “The Finished Garment”
October 2-Hedi from “Elegance & Elephants”
October 3- Sherri from “Thread Riding Hood”